Thursday, June 20, 2024

Sajjan Raazi

Sajjan Raazi Lyrics Meaning

Sajjan Raazi is a captivating Punjabi Punjabi masterpiece, brought to life by the artistic prowess of Satinder Sartaaj. The lyrics of the song are penned by Satinder Sartaaj, while its mesmerizing music is composed and produced by Jatinder Shah. Sajjan Raazi was released as a part of the album Hazaarey Wala Munda on March 17, 2016. The song has captivated many and is often searched for with the query “Sajjan Raazi Lyrics Meaning”. Adding to its allure, the song features the captivating presence of Satinder Sartaaj & Kritika Sobti, enhancing the overall appeal of this musical masterpiece. Below, you’ll find the lyrics meaning for Satinder Sartaaj’s “Sajjan Raazi”, offering a glimpse into the profound artistry behind the song.

Listen to the complete track on Amazon Music

Romanized Script
Native Script

Pyaar hunda phullan ton malook, sohneya
Jivein hundi morni di kook, sohneya
Door kite junglaan ‘ch nachdi phire
Sheher tak sun jaandi hook, sohneya

Love is often associated with delicate and gentle qualities, similar to the softness of flowers. It is a feeling that can be heard and felt, much like the unique and captivating sound of a peacock’s voice. This beautiful and enchanting sound can be heard echoing throughout the forest, where it dances freely and without inhibition. Even in bustling cities, the voice of love can be heard, as its beauty and power transcend all boundaries. Thus, love is not limited to any one place or form, but rather exists everywhere, offering its sweet melody to those who are open to its wonders.

Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida, paagala
Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida, paagala

Even if one’s beloved accepts their feelings, it is important to maintain composure and avoid causing chaos. This advice is directed towards someone who is intensely passionate and may be prone to acting impulsively. The use of the term “Paagala” implies that the speaker is cautioning against irrational behavior. By staying calm and composed, one can demonstrate respect for their beloved, and cultivate a healthy relationship. The speaker is suggesting that even when one’s emotions are strong, it is important to exercise self-control and show restraint, rather than acting recklessly or impulsively.

Ishaq hunda heereyan de warga
Oh jagg ton lukaaida, paagala
Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

Ke raule vich haaniyan hi haaniyan
Ke koi maaru bhaaniyan te kaaniyan
Tu kar na naadaaniyan
Veeraniyaan ‘ch rul ju jawaaniyan, ve jaaniyan

Chaos and commotion often lead to negative consequences and losses. When people act out and behave aggressively, it can create an even greater sense of disorder and turmoil. The speaker is advising their “beloved” to avoid such behavior and refrain from making foolish choices that could lead to a wasted youth. The use of the term “Veeraniyaan” may be metaphorical, suggesting that a life without love or purpose is a barren and unfulfilling one. The tone of the speaker is one of concern and caution, as they seek to guide their beloved towards a more positive and fulfilling path. In summary, the speaker is advising their beloved to act wisely and avoid succumbing to impulsive or destructive behavior, in order to avoid a wasted life filled with turmoil and chaos.

Eh zindagi laasaani aa
Es nu oye aivein nahi gavaaida, paagala
Eh zindagi laasaani aa
Es nu oye aivein nahi gavaaida, paagala

Life is a valuable and precious gift that is unique to each individual. The speaker is addressing someone they consider to be impulsive or irrational, using the term “Paagala” The tone is one of concern and urgency, as the speaker is urging this person not to waste their life through foolish or reckless behavior. By emphasizing the preciousness of life, the speaker is encouraging the listener to consider the value of their own existence and the impact their choices can have. In summary, the speaker is imploring their listener to recognize the value of their life and not to waste it through careless or self-destructive behavior.

Ishaq hunda heereyan de warga
Oh jagg ton lukaaida, paagala
Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

Ke loki kitthey jarde ne yaariyan?
Ke eh taan rehnde karde taiyariyan
Haan, Ranjhe ne taan majjhiyan vi chaariyan
Te ant vekh ho gaiyaan khuaariyan

The speaker is expressing a sense of disillusionment with the concept of friendship, suggesting that people are not truly committed to it and are always preparing or planning for something else. The reference to Ranjha, a character from a famous South Asian folktale, is used to illustrate the point that even those who lead simple lives can still encounter problems and difficulties. The mention of Ranjha grazing cattle highlights the idea that even mundane activities can lead to unexpected challenges. Overall, the speaker seems to be suggesting that people should be cautious and realistic in their expectations of friendship and life in general, as difficulties and obstacles can arise regardless of one’s situation or station in life.

Aah jagg diyan rasmaan nyariyaan
Oh, khud nu bachaaida, paagala
Aah jagg diyan rasmaan nyariyaan
Oh, khud nu bachaaida, paagala

The speaker is expressing a sense of disillusionment with the social norms and expectations that are prevalent in the world. He uses the term “Rasmaa” to describe the various customs and practices that are expected of people in society. The use of the term “Nyariyaan” suggests that the speaker feels disconnected or disoriented by these norms, perhaps because they do not align with their own values or beliefs. The use of the term “Paagala” suggests that the speaker may view themselves or the person they are addressing as being at odds with these societal norms. The overall message is one of encouragement to break free from societal expectations and to pursue one’s own path, rather than conforming to the expectations of others. In summary, the speaker is urging their listener to think critically about the societal norms they encounter and to chart their own course, rather than blindly following the expectations of others.

Ishaq hunda heereyan de warga
Oh jagg ton lukaaida, paagala
Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

Ho, teriyan taan sachchiyan preetiyan
Saahaan ‘ch tere rachchiyan preetiyan
Jadon vi kadi nachchiyan preetiyan
Kise nu kadon jachchiyan preetiyan?

The speaker is praising the depth and sincerity of the listener’s love. By saying that “Saahan ‘ch tere rachchiyan preetiyan,” the speaker is suggesting that the listener embodies love in their very being. The use of the term “Sachchiyan preetiyan” suggests that this love is genuine and sincere, rather than superficial or fleeting. The speaker then poses a rhetorical question, asking when anyone has ever truly appreciated love when it has danced before them. This suggests that the speaker believes that true love is often overlooked or undervalued in our society. By praising the listener’s love and questioning the way love is perceived in the world, the speaker is encouraging a deeper appreciation of love and a greater recognition of its value. In summary, the speaker is celebrating the listener’s true and authentic love, while also encouraging a greater appreciation for the power and beauty of love in general.

Pyaar dhandha kachchiyan, bewakoofa
Oye, samaa nahi bhulaaida, paagala
Pyaar dhandha kachchiyan, bewakoofa
Eh samaa nahi bhulaaida, paagala

The speaker is cautioning against taking love for granted or assuming that it will always be there. By referring to the “Pyaar dhandha kachchiyan,” he suggests that love is something that requires careful attention and nurturing in order to thrive. The use of the term “Kachchiyan” suggests that love can be easily damaged or destroyed if it is not handled with care. The speaker then addresses the listener as a “foolish one” and a “crazy one,” suggesting that they may be at risk of neglecting or overlooking the value of love in their life. By urging the listener not to forget “this beautiful moment,” the speaker is encouraging them to appreciate the love that is currently present in their life, rather than taking it for granted or assuming it will always be there. In summary, the speaker is reminding the listener of the fragility of love and urging them to appreciate and nurture the love that is currently present in their life.

Ishaq hunda heereyan de warga
Oh jagg ton lukaaida, paagala
Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

Ke duniya taan masle hi bhaaldi
Ke maadi ehi gall vi uchhaaldi
Utaar dindi khall vi eh vaal di
Te aashqaan di jind’di nu gaaldi

The speaker is expressing a sense of frustration with the world and its tendency to create problems where none exist. By saying that the world keeps on finding problems, the speaker suggests that this is a recurring pattern that is pervasive and ongoing. The use of the phrase “Maadi jehi gall vi uchhaaldi” suggests that the world is not only creating problems but also actively undermining the reputation or credibility of others. The metaphor of making a mountain out of a molehill is used to suggest that the world is prone to overreacting or exaggerating minor issues. Finally, the speaker notes that the world may even curse the lifestyle of lovers, suggesting that love and romance may be seen as threatening or unwelcome in some circles. Overall, the speaker seems to be suggesting that the world is not always a supportive or welcoming place and that individuals may need to be cautious and discerning in their interactions with others.

Aah rooh teri saddhraan nu bhaaldi
Oh, dil nahi dukhaaida, paagala
Ke rooh teri saddhraan nu bhaaldi
Oye, dil nahi dukhaaida, paagala

The speaker is addressing the listener’s innermost desires and aspirations, suggesting that their soul is searching for something meaningful and fulfilling. By using the phrase “Aah rooh teri,” the speaker is emphasizing the personal and individual nature of this quest. The speaker then cautions against hurting one’s own heart, using the term “Paagala” as a term of endearment or affectionate admonition. This may suggest that the speaker sees the listener as someone who is passionate and driven, but also potentially prone to making mistakes or taking unnecessary risks. By urging the listener not to hurt their heart, the speaker is suggesting that they should be cautious and thoughtful in the pursuit of their aspirations, and avoid doing anything that might jeopardize their well-being or happiness. Overall, the speaker is encouraging the listener to pursue their aspirations with wisdom and care, while also acknowledging the intensity of their desire and passion.

Ishaq hunda heereyan de warga
Oh jagg ton lukaaida, paagala
Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

Eh ramaz lako lavi, moorkha
Dilaan da booha dho lavi, moorkha
Raataan ton khaab kho lavi, moorkha
Te geetan ‘ch paro lavi, moorkha

The speaker is addressing the listener and using the term “Moorkha” as a term of endearment or affectionate admonition. They are cautioning the listener to be careful with their emotions and to keep their feelings hidden from others. The use of the phrase “Eh ramaz lako lavi, moorkha” suggests that the listener may be showing outward signs of their emotions or feelings and that the speaker believes that it would be better for them to keep these hidden. The speaker then goes on to suggest that the listener should close the door of their heart indicating that they should protect their emotions and guard themselves against being hurt. The line “Raatan ton khaab kho lavi, moorkha, te geetan ‘ch paro lavi, moorkha” is somewhat poetic and suggests that the listener should channel their emotions and desires into creative pursuits, such as music or art. The use of the word “Kho lavi” here may suggest that the listener should take inspiration from their dreams and desires, rather than waiting for them to come to them. Overall, the speaker is encouraging the listener to be cautious with their emotions, but also to find ways to express themselves creatively and to channel their passions in positive ways.

Suraan nu zara chhoh lavi, Sartaaj
Aiddan nahiyo gaaida, paagala
Suraan nu zara chhoh lavi, Sartaaj
Aiddan nahiyo gaaida, paagala

In this statement, Sartaaj is addressing himself as a musician or singer. He is urging himself to add more emotion and depth to his music by saying “Suraan nu zara chho lavi, Sartaaj” This implies that there is a certain level of sensitivity and nuance that is required to fully capture the essence of the music. By saying “Don’t sing just like this,” Sartaaj is challenging himself to go beyond the surface level of the music and connect with the meaning and feeling behind it. The statement can be seen as a call to action, urging Sartaaj to push himself to create more impactful and meaningful music. Overall, Sartaaj is encouraging himself to approach his music with a greater level of sensitivity and depth, in order to truly do justice to the art form.

Ishaq hunda heereyan de warga
Oh jagg ton lukaaida, paagala
Sajjan raazi ho jave, fir vi
Oh, raula nahiyo paaida

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

Pyaar hunda phullan ton malook, sohneya
Jivein hundi morni di kook, sohneya
Door kite junglaan ‘ch nachdi phire
Sheher tak sun jaandi hook, sohneya

Love is often associated with delicate and gentle qualities, similar to the softness of flowers. It is a feeling that can be heard and felt, much like the unique and captivating sound of a peacock’s voice. This beautiful and enchanting sound can be heard echoing throughout the forest, where it dances freely and without inhibition. Even in bustling cities, the voice of love can be heard, as its beauty and power transcend all boundaries. Thus, love is not limited to any one place or form, but rather exists everywhere, offering its sweet melody to those who are open to its wonders.

ਪਿਆਰ ਹੁੰਦਾ ਫੁੱਲਾਂ ਤੋਂ ਮਲੂਕ, ਸੋਹਣਿਆ
ਜਿਵੇਂ ਹੁੰਦੀ ਮੋਰਨੀ ਦੀ ਕੂਕ, ਸੋਹਣਿਆ
ਦੂਰ ਕਿਤੇ ਜੰਗਲ਼ਾਂ ‘ਚ ਨੱਚਦੀ ਫ਼ਿਰੇ
ਸ਼ਹਿਰ ਤਕ ਸੁਣ ਜਾਂਦੀ ਹੂਕ, ਸੋਹਣਿਆ

Love is often associated with delicate and gentle qualities, similar to the softness of flowers. It is a feeling that can be heard and felt, much like the unique and captivating sound of a peacock’s voice. This beautiful and enchanting sound can be heard echoing throughout the forest, where it dances freely and without inhibition. Even in bustling cities, the voice of love can be heard, as its beauty and power transcend all boundaries. Thus, love is not limited to any one place or form, but rather exists everywhere, offering its sweet melody to those who are open to its wonders.

ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ, ਪਾਗਲਾ
ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ, ਪਾਗਲਾ

Even if one’s beloved accepts their feelings, it is important to maintain composure and avoid causing chaos. This advice is directed towards someone who is intensely passionate and may be prone to acting impulsively. The use of the term “Paagala” implies that the speaker is cautioning against irrational behavior. By staying calm and composed, one can demonstrate respect for their beloved, and cultivate a healthy relationship. The speaker is suggesting that even when one’s emotions are strong, it is important to exercise self-control and show restraint, rather than acting recklessly or impulsively.

ਇਸ਼ਕ ਹੁੰਦਾ ਹੀਰਿਆਂ ਦੇ ਵਰਗਾ
ਉਹ ਜੱਗ ਤੋਂ ਲੁਕਾਈਦਾ, ਪਾਗਲਾ
ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

ਕਿ ਰੌਲ਼ੇ ਵਿੱਚ ਹਾਨੀਆਂ ਹੀ ਹਾਨੀਆਂ
ਕਿ ਕੋਈ ਮਾਰੂ ਭਾਨੀਆਂ ਤੇ ਕਾਨੀਆਂ
ਤੂੰ ਕਰ ਨਾ ਨਾਦਾਨੀਆਂ
ਵੀਰਾਨੀਆਂ ‘ਚ ਰੁਲ਼ ਜਾਊ ਜਵਾਨੀਆਂ, ਵੇ ਜਾਨੀਆ

Chaos and commotion often lead to negative consequences and losses. When people act out and behave aggressively, it can create an even greater sense of disorder and turmoil. The speaker is advising their “beloved” to avoid such behavior and refrain from making foolish choices that could lead to a wasted youth. The use of the term “Veeraniyan” may be metaphorical, suggesting that a life without love or purpose is a barren and unfulfilling one. The tone of the speaker is one of concern and caution, as they seek to guide their beloved towards a more positive and fulfilling path. In summary, the speaker is advising their beloved to act wisely and avoid succumbing to impulsive or destructive behavior, in order to avoid a wasted life filled with turmoil and chaos.

ਇਹ ਜ਼ਿੰਦਗੀ ਲਾਸਾਨੀ ਆ
ਇਸ ਨੂੰ ਓਏ ਐਵੇਂ ਨਹੀਂ ਗਵਾਈਦਾ, ਪਾਗਲਾ
ਇਹ ਜ਼ਿੰਦਗੀ ਲਾਸਾਨੀ ਆ
ਇਸ ਨੂੰ ਓਏ ਐਵੇਂ ਨਹੀਂ ਗਵਾਈਦਾ, ਪਾਗਲਾ

Life is a valuable and precious gift that is unique to each individual. The speaker is addressing someone they consider to be impulsive or irrational, using the term “Paagala” The tone is one of concern and urgency, as the speaker is urging this person not to waste their life through foolish or reckless behavior. By emphasizing the preciousness of life, the speaker is encouraging the listener to consider the value of their own existence and the impact their choices can have. In summary, the speaker is imploring their listener to recognize the value of their life and not to waste it through careless or self-destructive behavior.

ਇਸ਼ਕ ਹੁੰਦਾ ਹੀਰਿਆਂ ਦੇ ਵਰਗਾ
ਉਹ ਜੱਗ ਤੋਂ ਲੁਕਾਈਦਾ, ਪਾਗਲਾ
ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ, ਪਾਗਲਾ

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

ਕਿ ਲੋਕੀ ਕਿੱਥੇ ਜਰਦੇ ਨੇ ਯਾਰੀਆਂ?
ਕਿ ਇਹ ਤਾਂ ਰਹਿੰਦੇ ਕਰਦੇ ਤਿਆਰੀਆਂ
ਹਾਂ, ਰਾਂਝੇ ਨੇ ਤਾਂ ਮੱਝੀਆਂ ਵੀ ਚਾਰੀਆਂ
ਤੇ ਅੰਤ ਵੇਖ ਹੋ ਗਈਆਂ ਖੁਆਰੀਆਂ

The speaker is expressing a sense of disillusionment with the concept of friendship, suggesting that people are not truly committed to it and are always preparing or planning for something else. The reference to Ranjha, a character from a famous South Asian folktale, is used to illustrate the point that even those who lead simple lives can still encounter problems and difficulties. The mention of Ranjha grazing cattle highlights the idea that even mundane activities can lead to unexpected challenges. Overall, the speaker seems to be suggesting that people should be cautious and realistic in their expectations of friendship and life in general, as difficulties and obstacles can arise regardless of one’s situation or station in life.

ਆਹ ਜੱਗ ਦੀਆਂ ਰਸਮਾਂ ਨਿਆਰੀਆਂ
ਓ, ਖ਼ੁਦ ਨੂੰ ਬਚਾਈਦਾ, ਪਾਗਲਾ
ਆਹ ਜੱਗ ਦੀਆਂ ਰਸਮਾਂ ਨਿਆਰੀਆਂ
ਓ, ਖ਼ੁਦ ਨੂੰ ਬਚਾਈਦਾ, ਪਾਗਲਾ

The speaker is expressing a sense of disillusionment with the social norms and expectations that are prevalent in the world. He uses the term “Rasmaa” to describe the various customs and practices that are expected of people in society. The use of the term “Nyariyaan” suggests that the speaker feels disconnected or disoriented by these norms, perhaps because they do not align with their own values or beliefs. The use of the term “Paagala” suggests that the speaker may view themselves or the person they are addressing as being at odds with these societal norms. The overall message is one of encouragement to break free from societal expectations and to pursue one’s own path, rather than conforming to the expectations of others. In summary, the speaker is urging their listener to think critically about the societal norms they encounter and to chart their own course, rather than blindly following the expectations of others.

ਇਸ਼ਕ ਹੁੰਦਾ ਹੀਰਿਆਂ ਦੇ ਵਰਗਾ
ਉਹ ਜੱਗ ਤੋਂ ਛੁਪਾਈਦਾ, ਪਾਗਲਾ
ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ, ਪਾਗਲਾ

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

ਹੋ, ਤੇਰੀਆਂ ਤਾਂ ਸੱਚੀਆਂ ਪ੍ਰੀਤੀਆਂ
ਸਾਹਾਂ ‘ਚ ਤੇਰੇ ਰੱਚੀਆਂ ਪ੍ਰੀਤੀਆਂ
ਜਦੋਂ ਵੀ ਕਦੀ ਨੱਚੀਆਂ ਪ੍ਰੀਤੀਆਂ
ਕਿਸੇ ਨੂੰ ਕਦੋਂ ਜੱਚੀਆਂ ਪ੍ਰੀਤੀਆਂ?

The speaker is praising the depth and sincerity of the listener’s love. By saying that “Saahan ‘ch tere rachchiyan preetiyan,” the speaker is suggesting that the listener embodies love in their very being. The use of the term “Sachchiyan preetiyan” suggests that this love is genuine and sincere, rather than superficial or fleeting. The speaker then poses a rhetorical question, asking when anyone has ever truly appreciated love when it has danced before them. This suggests that the speaker believes that true love is often overlooked or undervalued in our society. By praising the listener’s love and questioning the way love is perceived in the world, the speaker is encouraging a deeper appreciation of love and a greater recognition of its value. In summary, the speaker is celebrating the listener’s true and authentic love, while also encouraging a greater appreciation for the power and beauty of love in general.

ਪਿਆਰ ਧੰਧਾ ਕੱਚੀਆਂ, ਬੇਵਕੂਫ਼ਾ
ਓਏ, ਸਮਾਂ ਨਹੀਂ ਭੁਲਾਈਦਾ, ਪਾਗਲਾ
ਪਿਆਰ ਧੰਧਾ ਕੱਚੀਆਂ, ਬੇਵਕੂਫ਼ਾ
ਇਹ ਸਮਾਂ ਨਹੀਂ ਭੁਲਾਈਦਾ, ਪਾਗਲਾ

The speaker is cautioning against taking love for granted or assuming that it will always be there. By referring to the “Pyaar dhandha kachchiyan,” he suggests that love is something that requires careful attention and nurturing in order to thrive. The use of the term “Kachchiyan” suggests that love can be easily damaged or destroyed if it is not handled with care. The speaker then addresses the listener as a “foolish one” and a “crazy one,” suggesting that they may be at risk of neglecting or overlooking the value of love in their life. By urging the listener not to forget “this beautiful moment,” the speaker is encouraging them to appreciate the love that is currently present in their life, rather than taking it for granted or assuming it will always be there. In summary, the speaker is reminding the listener of the fragility of love and urging them to appreciate and nurture the love that is currently present in their life.

ਇਸ਼ਕ ਹੁੰਦਾ ਹੀਰਿਆਂ ਦੇ ਵਰਗਾ
ਉਹ ਜੱਗ ਤੋਂ ਲੁਕਾਈਦਾ, ਪਾਗਲਾ
ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ, ਪਾਗਲਾ

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

ਕਿ ਦੁਨੀਆ ਤਾਂ ਮਸਲੇ ਹੀ ਭਾਲ਼ਦੀ
ਕਿ ਮਾੜੀ ਇਹੀ ਗੱਲ ਵੀ ਉਛਾਲ਼ਦੀ
ਉਤਾਰ ਦਿੰਦੀ ਖੱਲ ਵੀ ਇਹ ਵਾਲ਼ ਦੀ
ਤੇ ਆਸ਼ਕਾਂ ਦੀ ਜਿੰਦੜੀ ਨੂੰ ਗਾਲ਼ਦੀ

The speaker is expressing a sense of frustration with the world and its tendency to create problems where none exist. By saying that the world keeps on finding problems, the speaker suggests that this is a recurring pattern that is pervasive and ongoing. The use of the phrase “Maadi jehi gall vi uchhaaldi” suggests that the world is not only creating problems but also actively undermining the reputation or credibility of others. The metaphor of making a mountain out of a molehill is used to suggest that the world is prone to overreacting or exaggerating minor issues. Finally, the speaker notes that the world may even curse the lifestyle of lovers, suggesting that love and romance may be seen as threatening or unwelcome in some circles. Overall, the speaker seems to be suggesting that the world is not always a supportive or welcoming place and that individuals may need to be cautious and discerning in their interactions with others.

ਆਹ ਰੂਹ ਤੇਰੀ ਸੱਧਰਾਂ ਨੂੰ ਭਾਲ਼ਦੀ
ਓ, ਦਿਲ ਨਹੀਂ ਦੁਖਾਈਦਾ, ਪਾਗਲਾ
ਕਿ ਰੂਹ ਤੇਰੀ ਸੱਧਰਾਂ ਨੂੰ ਭਾਲ਼ਦੀ
ਓਏ, ਦਿਲ ਨਹੀਂ ਦੁਖਾਈਦਾ, ਪਾਗਲਾ

The speaker is addressing the listener’s innermost desires and aspirations, suggesting that their soul is searching for something meaningful and fulfilling. By using the phrase “Aah rooh teri,” the speaker is emphasizing the personal and individual nature of this quest. The speaker then cautions against hurting one’s own heart, using the term “Paagala” as a term of endearment or affectionate admonition. This may suggest that the speaker sees the listener as someone who is passionate and driven, but also potentially prone to making mistakes or taking unnecessary risks. By urging the listener not to hurt their heart, the speaker is suggesting that they should be cautious and thoughtful in the pursuit of their aspirations, and avoid doing anything that might jeopardize their well-being or happiness. Overall, the speaker is encouraging the listener to pursue their aspirations with wisdom and care, while also acknowledging the intensity of their desire and passion.

ਇਸ਼ਕ ਹੁੰਦਾ ਹੀਰਿਆਂ ਦੇ ਵਰਗਾ
ਉਹ ਜੱਗ ਤੋਂ ਲੁਕਾਈਦਾ, ਪਾਗਲਾ
ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

ਇਹ ਰਮਜ਼ ਲਕੋ ਲਵੀਂ, ਮੂਰਖਾ
ਦਿਲਾਂ ਦਾ ਬੂਹਾ ਢੋਹ ਲਵੀਂ, ਮੂਰਖਾ
ਰਾਤਾਂ ਤੋਂ ਖ਼ਾਬ ਖੋ ਲਵੀਂ, ਮੂਰਖਾ
ਤੇ ਗੀਤਾਂ ‘ਚ ਪਰੋ ਲਵੀਂ, ਮੂਰਖਾ

The speaker is addressing the listener and using the term “Moorkha” as a term of endearment or affectionate admonition. They are cautioning the listener to be careful with their emotions and to keep their feelings hidden from others. The use of the phrase “Eh ramaz lako lavi, moorkha” suggests that the listener may be showing outward signs of their emotions or feelings and that the speaker believes that it would be better for them to keep these hidden. The speaker then goes on to suggest that the listener should close the door of their heart indicating that they should protect their emotions and guard themselves against being hurt. The line “Raatan ton khaab kho lavi, moorkha, te geetan ‘ch paro lavi, moorkha” is somewhat poetic and suggests that the listener should channel their emotions and desires into creative pursuits, such as music or art. The use of the word “Kho lavi” here may suggest that the listener should take inspiration from their dreams and desires, rather than waiting for them to come to them. Overall, the speaker is encouraging the listener to be cautious with their emotions, but also to find ways to express themselves creatively and to channel their passions in positive ways.

ਸੁਰਾਂ ਨੂੰ ਜ਼ਰਾ ਛੋਹ ਲਵੀਂ, Sartaaj
ਐਦਾਂ ਨਹੀਓਂ ਗਾਈਦਾ, ਪਾਗਲਾ
ਸੁਰਾਂ ਨੂੰ ਜ਼ਰਾ ਛੋਹ ਲਵੀਂ, Sartaaj
ਐਦਾਂ ਨਹੀਓਂ ਗਾਈਦਾ, ਪਾਗਲਾ

In this statement, Sartaaj is addressing himself as a musician or singer. He is urging himself to add more emotion and depth to his music by saying “Suraan nu zara chho lavi, Sartaaj” This implies that there is a certain level of sensitivity and nuance that is required to fully capture the essence of the music. By saying “Don’t sing just like this,” Sartaaj is challenging himself to go beyond the surface level of the music and connect with the meaning and feeling behind it. The statement can be seen as a call to action, urging Sartaaj to push himself to create more impactful and meaningful music. Overall, Sartaaj is encouraging himself to approach his music with a greater level of sensitivity and depth, in order to truly do justice to the art form.

ਇਸ਼ਕ ਹੁੰਦਾ ਹੀਰਿਆਂ ਦੇ ਵਰਗਾ
ਉਹ ਜੱਗ ਤੋਂ ਲੁਕਾਈਦਾ, ਪਾਗਲਾ
ਸੱਜਣ ਰਾਜ਼ੀ ਹੋ ਜਾਵੇ, ਫ਼ਿਰ ਵੀ
ਓ, ਰੌਲ਼ਾ ਨਹੀਓਂ ਪਾਈਦਾ

Love can be compared to diamonds, in that both are precious and valuable but are often hidden from view. This suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Even if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. The use of the term “Paagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. In summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Instead, they suggest that love is something to be cherished and kept close, like a precious diamond.

ਪਿਆਰ ਹੁੰਦਾ ਫੁੱਲਾਂ ਤੋਂ ਮਲੂਕ, ਸੋਹਣਿਆ
ਜਿਵੇਂ ਹੁੰਦੀ ਮੋਰਨੀ ਦੀ ਕੂਕ, ਸੋਹਣਿਆ
ਦੂਰ ਕਿਤੇ ਜੰਗਲ਼ਾਂ ‘ਚ ਨੱਚਦੀ ਫ਼ਿਰੇ
ਸ਼ਹਿਰ ਤਕ ਸੁਣ ਜਾਂਦੀ ਹੂਕ, ਸੋਹਣਿਆ

Love is often associated with delicate and gentle qualities, similar to the softness of flowers. It is a feeling that can be heard and felt, much like the unique and captivating sound of a peacock’s voice. This beautiful and enchanting sound can be heard echoing throughout the forest, where it dances freely and without inhibition. Even in bustling cities, the voice of love can be heard, as its beauty and power transcend all boundaries. Thus, love is not limited to any one place or form, but rather exists everywhere, offering its sweet melody to those who are open to its wonders.

Song Credits

Singer(s):
Satinder Sartaaj
Album:
Hazaarey Wala Munda
Lyricist(s):
Satinder Sartaaj
Composer(s):
Satinder Sartaaj
Music:
Jatinder Shah
Genre(s):
Music Label:
Shemaroo Punjabi
Featuring:
Satinder Sartaaj & Kritika Sobti
Released On:
March 17, 2016

Official Video

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