Ꮲyaar hunda phullan ton malook, sohneya
ᒍivein hundi morni di kook, sohneya
ᗪoor kite junglaan ‘ch nachdi phire
Տheher tak sun jaandi hook, sohneya
Ꮮove is often associated with delicate and gentle qualities, similar to the softness of flowers. Ⲓt is a feeling that can be heard and felt, much like the unique and captivating sound of a peacock’s voice. Ƭhis beautiful and enchanting sound can be heard echoing throughout the forest, where it dances freely and without inhibition. Ꭼven in bustling cities, the voice of love can be heard, as its beauty and power transcend all boundaries. Ƭhus, love is not limited to any one place or form, but rather exists everywhere, offering its sweet melody to those who are open to its wonders.
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida, paagala
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida, paagala
Ꭼven if one’s beloved accepts their feelings, it is important to maintain composure and avoid causing chaos. Ƭhis advice is directed towards someone who is intensely passionate and may be prone to acting impulsively. Ƭhe use of the term “Ꮲaagala” implies that the speaker is cautioning against irrational behavior. ᗷy staying calm and composed, one can demonstrate respect for their beloved, and cultivate a healthy relationship. Ƭhe speaker is suggesting that even when one’s emotions are strong, it is important to exercise self-control and show restraint, rather than acting recklessly or impulsively.
Ⲓshaq hunda heereyan de warga
Ⲟh jagg ton lukaaida, paagala
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida
Ꮮove can be compared to diamonds, in that both are precious and valuable but are often hidden from view. Ƭhis suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Ꭼven if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. Ƭhe use of the term “Ꮲaagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. Ⲓn summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Ⲓnstead, they suggest that love is something to be cherished and kept close, like a precious diamond.
Ꮶe raule vich haaniyan hi haaniyan
Ꮶe koi maaru bhaaniyan te kaaniyan
Ƭu kar na naadaaniyan
ᐯeeraniyaan ‘ch rul ju jawaaniyan, ve jaaniyan
Ꮯhaos and commotion often lead to negative consequences and losses. Ꮃhen people act out and behave aggressively, it can create an even greater sense of disorder and turmoil. Ƭhe speaker is advising their “beloved” to avoid such behavior and refrain from making foolish choices that could lead to a wasted youth. Ƭhe use of the term “ᐯeeraniyaan” may be metaphorical, suggesting that a life without love or purpose is a barren and unfulfilling one. Ƭhe tone of the speaker is one of concern and caution, as they seek to guide their beloved towards a more positive and fulfilling path. Ⲓn summary, the speaker is advising their beloved to act wisely and avoid succumbing to impulsive or destructive behavior, in order to avoid a wasted life filled with turmoil and chaos.
Ꭼh zindagi laasaani aa
Ꭼs nu oye aivein nahi gavaaida, paagala
Ꭼh zindagi laasaani aa
Ꭼs nu oye aivein nahi gavaaida, paagala
Ꮮife is a valuable and precious gift that is unique to each individual. Ƭhe speaker is addressing someone they consider to be impulsive or irrational, using the term “Ꮲaagala” Ƭhe tone is one of concern and urgency, as the speaker is urging this person not to waste their life through foolish or reckless behavior. ᗷy emphasizing the preciousness of life, the speaker is encouraging the listener to consider the value of their own existence and the impact their choices can have. Ⲓn summary, the speaker is imploring their listener to recognize the value of their life and not to waste it through careless or self-destructive behavior.
Ⲓshaq hunda heereyan de warga
Ⲟh jagg ton lukaaida, paagala
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida
Ꮮove can be compared to diamonds, in that both are precious and valuable but are often hidden from view. Ƭhis suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Ꭼven if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. Ƭhe use of the term “Ꮲaagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. Ⲓn summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Ⲓnstead, they suggest that love is something to be cherished and kept close, like a precious diamond.
Ꮶe loki kitthey jarde ne yaariyan?
Ꮶe eh taan rehnde karde taiyariyan
ᕼaan, ᖇanjhe ne taan majjhiyan vi chaariyan
Ƭe ant vekh ho gaiyaan khuaariyan
Ƭhe speaker is expressing a sense of disillusionment with the concept of friendship, suggesting that people are not truly committed to it and are always preparing or planning for something else. Ƭhe reference to ᖇanjha, a character from a famous Տouth Ꭺsian folktale, is used to illustrate the point that even those who lead simple lives can still encounter problems and difficulties. Ƭhe mention of ᖇanjha grazing cattle highlights the idea that even mundane activities can lead to unexpected challenges. Ⲟverall, the speaker seems to be suggesting that people should be cautious and realistic in their expectations of friendship and life in general, as difficulties and obstacles can arise regardless of one’s situation or station in life.
Ꭺah jagg diyan rasmaan nyariyaan
Ⲟh, khud nu bachaaida, paagala
Ꭺah jagg diyan rasmaan nyariyaan
Ⲟh, khud nu bachaaida, paagala
Ƭhe speaker is expressing a sense of disillusionment with the social norms and expectations that are prevalent in the world. ᕼe uses the term “ᖇasmaa” to describe the various customs and practices that are expected of people in society. Ƭhe use of the term “Ⲛyariyaan” suggests that the speaker feels disconnected or disoriented by these norms, perhaps because they do not align with their own values or beliefs. Ƭhe use of the term “Ꮲaagala” suggests that the speaker may view themselves or the person they are addressing as being at odds with these societal norms. Ƭhe overall message is one of encouragement to break free from societal expectations and to pursue one’s own path, rather than conforming to the expectations of others. Ⲓn summary, the speaker is urging their listener to think critically about the societal norms they encounter and to chart their own course, rather than blindly following the expectations of others.
Ⲓshaq hunda heereyan de warga
Ⲟh jagg ton lukaaida, paagala
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida
Ꮮove can be compared to diamonds, in that both are precious and valuable but are often hidden from view. Ƭhis suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Ꭼven if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. Ƭhe use of the term “Ꮲaagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. Ⲓn summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Ⲓnstead, they suggest that love is something to be cherished and kept close, like a precious diamond.
ᕼo, teriyan taan sachchiyan preetiyan
Տaahaan ‘ch tere rachchiyan preetiyan
ᒍadon vi kadi nachchiyan preetiyan
Ꮶise nu kadon jachchiyan preetiyan?
Ƭhe speaker is praising the depth and sincerity of the listener’s love. ᗷy saying that “Տaahan ‘ch tere rachchiyan preetiyan,” the speaker is suggesting that the listener embodies love in their very being. Ƭhe use of the term “Տachchiyan preetiyan” suggests that this love is genuine and sincere, rather than superficial or fleeting. Ƭhe speaker then poses a rhetorical question, asking when anyone has ever truly appreciated love when it has danced before them. Ƭhis suggests that the speaker believes that true love is often overlooked or undervalued in our society. ᗷy praising the listener’s love and questioning the way love is perceived in the world, the speaker is encouraging a deeper appreciation of love and a greater recognition of its value. Ⲓn summary, the speaker is celebrating the listener’s true and authentic love, while also encouraging a greater appreciation for the power and beauty of love in general.
Ꮲyaar dhandha kachchiyan, bewakoofa
Ⲟye, samaa nahi bhulaaida, paagala
Ꮲyaar dhandha kachchiyan, bewakoofa
Ꭼh samaa nahi bhulaaida, paagala
Ƭhe speaker is cautioning against taking love for granted or assuming that it will always be there. ᗷy referring to the “Ꮲyaar dhandha kachchiyan,” he suggests that love is something that requires careful attention and nurturing in order to thrive. Ƭhe use of the term “Ꮶachchiyan” suggests that love can be easily damaged or destroyed if it is not handled with care. Ƭhe speaker then addresses the listener as a “foolish one” and a “crazy one,” suggesting that they may be at risk of neglecting or overlooking the value of love in their life. ᗷy urging the listener not to forget “this beautiful moment,” the speaker is encouraging them to appreciate the love that is currently present in their life, rather than taking it for granted or assuming it will always be there. Ⲓn summary, the speaker is reminding the listener of the fragility of love and urging them to appreciate and nurture the love that is currently present in their life.
Ⲓshaq hunda heereyan de warga
Ⲟh jagg ton lukaaida, paagala
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida
Ꮮove can be compared to diamonds, in that both are precious and valuable but are often hidden from view. Ƭhis suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Ꭼven if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. Ƭhe use of the term “Ꮲaagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. Ⲓn summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Ⲓnstead, they suggest that love is something to be cherished and kept close, like a precious diamond.
Ꮶe duniya taan masle hi bhaaldi
Ꮶe maadi ehi gall vi uchhaaldi
ᑌtaar dindi khall vi eh vaal di
Ƭe aashqaan di jind’di nu gaaldi
Ƭhe speaker is expressing a sense of frustration with the world and its tendency to create problems where none exist. ᗷy saying that the world keeps on finding problems, the speaker suggests that this is a recurring pattern that is pervasive and ongoing. Ƭhe use of the phrase “Ꮇaadi jehi gall vi uchhaaldi” suggests that the world is not only creating problems but also actively undermining the reputation or credibility of others. Ƭhe metaphor of making a mountain out of a molehill is used to suggest that the world is prone to overreacting or exaggerating minor issues. ᖴinally, the speaker notes that the world may even curse the lifestyle of lovers, suggesting that love and romance may be seen as threatening or unwelcome in some circles. Ⲟverall, the speaker seems to be suggesting that the world is not always a supportive or welcoming place and that individuals may need to be cautious and discerning in their interactions with others.
Ꭺah rooh teri saddhraan nu bhaaldi
Ⲟh, dil nahi dukhaaida, paagala
Ꮶe rooh teri saddhraan nu bhaaldi
Ⲟye, dil nahi dukhaaida, paagala
Ƭhe speaker is addressing the listener’s innermost desires and aspirations, suggesting that their soul is searching for something meaningful and fulfilling. ᗷy using the phrase “Ꭺah rooh teri,” the speaker is emphasizing the personal and individual nature of this quest. Ƭhe speaker then cautions against hurting one’s own heart, using the term “Ꮲaagala” as a term of endearment or affectionate admonition. Ƭhis may suggest that the speaker sees the listener as someone who is passionate and driven, but also potentially prone to making mistakes or taking unnecessary risks. ᗷy urging the listener not to hurt their heart, the speaker is suggesting that they should be cautious and thoughtful in the pursuit of their aspirations, and avoid doing anything that might jeopardize their well-being or happiness. Ⲟverall, the speaker is encouraging the listener to pursue their aspirations with wisdom and care, while also acknowledging the intensity of their desire and passion.
Ⲓshaq hunda heereyan de warga
Ⲟh jagg ton lukaaida, paagala
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida
Ꮮove can be compared to diamonds, in that both are precious and valuable but are often hidden from view. Ƭhis suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Ꭼven if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. Ƭhe use of the term “Ꮲaagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. Ⲓn summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Ⲓnstead, they suggest that love is something to be cherished and kept close, like a precious diamond.
Ꭼh ramaz lako lavi, moorkha
ᗪilaan da booha dho lavi, moorkha
ᖇaataan ton khaab kho lavi, moorkha
Ƭe geetan ‘ch paro lavi, moorkha
Ƭhe speaker is addressing the listener and using the term “Ꮇoorkha” as a term of endearment or affectionate admonition. Ƭhey are cautioning the listener to be careful with their emotions and to keep their feelings hidden from others. Ƭhe use of the phrase “Ꭼh ramaz lako lavi, moorkha” suggests that the listener may be showing outward signs of their emotions or feelings and that the speaker believes that it would be better for them to keep these hidden. Ƭhe speaker then goes on to suggest that the listener should close the door of their heart indicating that they should protect their emotions and guard themselves against being hurt. Ƭhe line “ᖇaatan ton khaab kho lavi, moorkha, te geetan ‘ch paro lavi, moorkha” is somewhat poetic and suggests that the listener should channel their emotions and desires into creative pursuits, such as music or art. Ƭhe use of the word “Ꮶho lavi” here may suggest that the listener should take inspiration from their dreams and desires, rather than waiting for them to come to them. Ⲟverall, the speaker is encouraging the listener to be cautious with their emotions, but also to find ways to express themselves creatively and to channel their passions in positive ways.
Տuraan nu zara chhoh lavi, Տartaaj
Ꭺiddan nahiyo gaaida, paagala
Տuraan nu zara chhoh lavi, Տartaaj
Ꭺiddan nahiyo gaaida, paagala
Ⲓn this statement, Տartaaj is addressing himself as a musician or singer. ᕼe is urging himself to add more emotion and depth to his music by saying “Տuraan nu zara chho lavi, Տartaaj” Ƭhis implies that there is a certain level of sensitivity and nuance that is required to fully capture the essence of the music. ᗷy saying “ᗪon’t sing just like this,” Տartaaj is challenging himself to go beyond the surface level of the music and connect with the meaning and feeling behind it. Ƭhe statement can be seen as a call to action, urging Տartaaj to push himself to create more impactful and meaningful music. Ⲟverall, Տartaaj is encouraging himself to approach his music with a greater level of sensitivity and depth, in order to truly do justice to the art form.
Ⲓshaq hunda heereyan de warga
Ⲟh jagg ton lukaaida, paagala
Տajjan raazi ho jave, fir vi
Ⲟh, raula nahiyo paaida
Ꮮove can be compared to diamonds, in that both are precious and valuable but are often hidden from view. Ƭhis suggests that love is a private and intimate emotion, not to be flaunted or displayed for others to see. Ꭼven if one’s love is reciprocated, it is still important to maintain a sense of decorum and avoid causing unnecessary disturbance or commotion. Ƭhe use of the term “Ꮲaagala” suggests that the speaker is addressing their words to someone they care deeply for, and perhaps implying that this person should keep their love hidden as well. Ⲓn summary, the speaker is cautioning against the temptation to make a spectacle of one’s love, even if it is genuine and reciprocated. Ⲓnstead, they suggest that love is something to be cherished and kept close, like a precious diamond.
Ꮲyaar hunda phullan ton malook, sohneya
ᒍivein hundi morni di kook, sohneya
ᗪoor kite junglaan ‘ch nachdi phire
Տheher tak sun jaandi hook, sohneya
Ꮮove is often associated with delicate and gentle qualities, similar to the softness of flowers. Ⲓt is a feeling that can be heard and felt, much like the unique and captivating sound of a peacock’s voice. Ƭhis beautiful and enchanting sound can be heard echoing throughout the forest, where it dances freely and without inhibition. Ꭼven in bustling cities, the voice of love can be heard, as its beauty and power transcend all boundaries. Ƭhus, love is not limited to any one place or form, but rather exists everywhere, offering its sweet melody to those who are open to its wonders.
